Framing Scenery: A Microcosm Beyond the Window

The moment you open the window, time slows down. The morning mist in the forest has not yet dissipated, and the flying eaves of the gray brick buildings are faintly visible in the mist, like a slowly unfolding traditional Chinese painting. Looking along the winding path, the winding corridors and carved window lattices complement each other. Vine plants climb along the gray brick walls, and tiny flowers are dotted among the tender leaves, exuding a subtle fragrance. Tables and chairs are placed under the trees, as if seeing the ancients playing chess, tasting tea, talking and laughing here. The afternoon sun shines through the window lattices and sprinkles on the flowers in the porcelain vase, with mottled light and shadows. The catalpa trees behind the house are full of flowers, rustling in the wind, casting swaying shadows. The pavilions and towers in the distance are scattered in a well-organized manner, and the blue tiles shine in the sun, contrasting with the surrounding green trees and flowers, forming a colorful picture. As night falls, the lights are on. The lights in the garden light up, and the warm yellow halo covers the entire courtyard, giving every scene a hazy veil. The moonlight is like water, pouring down and sprinkling on the water surface of the stone tank in the courtyard, sparkling. The mountains are clearly outlined in the night, and the silent mountains and forests surround this quiet garden world. The warm light inside the window blends with the night outside the window, creating a peaceful and romantic atmosphere, making people intoxicated and unwilling to wake up. The world in the garden landscape window is a fusion of nature and ingenuity. It allows people who stop to see the great beauty of the world through the window, feel the tranquility of the years, and understand the unique restraint and romance in Oriental aesthetics. Lijiang Naxi Ya Garden Garden Hotel